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Lisa Radon writes about art and makes art about writing. more >>

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Silence is a Blessed Hell: The Po(aesth)etics of Excision

When you cut into the present, the future leaks out.
William Burroughs

Going, going, gone? Cut it out, cut it up, or otherwise erase parts of found text or image; excision is a big piece of contemporary practice in both visual arts and poetics. Silence is a Blessed Hell: The Po(aesth)etics of Excision is a lecture/performance I'm doing addressing work made via excision that also asks questions about the broader implications of the practice. It's Wednesday, November 10 at 6 PM at Nationale (811 E Burnside), and I hope you'll come because after and the next day, I'll want to talk about it! It's all I'm thinking about.

Exhibit A: In 1953 Robert Rauschenberg addresses the anxiety of influence head on, infamously erasing a Willem de Kooning drawing resulting in “Erased de Kooning Drawing.”

Exhibit B: In 2000 Kenneth Goldsmith erases all but the punctuation in the Gertrude Stein essay “On Punctuation” for his “Gertrude Stein on Punctuation.”

What do we gain via excision? What do we lose? When the cow eats all the grass and leaves and we are left with the blank white sheet of paper, then what?

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